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Genre Paintings
History Paintings

It is obvious from Vermeer's earliest works that he at first aspired to become a history painter. Mimicking the art that became popularized around the time he began working, Vermeer implemented mythological, historical and biblical scenes and themes into his paintings. These early works are much larger in size than his later paintings, and also feature large figures in the foreground rather than complete atmospheric scenes. In addition to religious facets, these history paintings also emulated the Italian Baroque art style from this time period.

As the style he is most famously known for, Vermeer's genre paintings feature scenes of everyday life portrayed using an expert understanding of light within interiors. Many art historians also believe that Vermeer worked with the use of a "camera obscura" during this middle period. Although there is no historical or physical evidence to support this idea, the aid of this device certainly explains the distinctly realistic quality of light and shadows in Vermeer's works. As just a darkened box with a converging lens and a viewing screen on either end, the camera obscura would have aided Vermeer in creating photographic-looking paintings, and helping to portray correctly light and reflections, shadow, scale and precision.

In his final years as an artist, Vermeer continued to create genre paintings, but his style became more abstract, focusing more than ever on texture and color patterns of objects. As expected, this mirrored the techniques of popular Dutch art during the 1670s and later. The features of Vermeer's images became more geometric and linear, and even his signature subtle light portrayal was replaced by defined divisions of light and shadow.

Abstract Qualities of the Late Period

Vermeer's Genres

 

Although there are aspects of Vermeer that are recurring throughout all three of his artistic periods, some characteristics of his paintings are unique to each of his styles.

Saint Praxedis, c. 1655, oil on canvas. The Barbara Piasecka Johnson Collection Foundation.

http://en.wikipedia.org/wiki/Saint_Praxedis_(painting)

Woman Holding a Balance, c. 1664, oil on canvas. National Gallery of Art, Washington, D.C.

http://en.wikipedia.org/wiki/Woman_Holding_a_Balance

The Love Letter, c. 1670-72, oil on canvas. Rijksmuseum, Amsterdam.

http://en.wikipedia.org/wiki/The_Love_Letter_(Vermeer)

© 2014 by Dana Rogers. Proudly created with Wix.com 

Honors Age of Exploration, Belmont University

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